UPCOMING EVENTS


​​​​6 October, Club Fluxus: Ensemble Resilience, TivoliVredenburg - Club 9, Utrecht, The Netherlands

Dialogues à Distance for violin, bass clarinet, mater, piano, and fixed media


​​​​10 October, Festival El Contempoáneo, Teatro Guiniguada, Las Palmas de Gran Canaria, Spain

Dialogues à Distance for violin, bass clarinet, mater, piano, and fixed media


​​​​11 October, Festival El Contempoáneo, Teatro Guiniguada, Las Palmas de Gran Canaria, Spain

Dialogues à Distance for violin, bass clarinet, mater, piano, and fixed media



RECENT EVENTS


​​21 September, Dampfzentrale, Bern, Switzerland

around the glogge for 11 service bells, 8 transducers, and fixed media performed by Ensemble Proton Bern


​​10 September, Summer Sunset Series: In Dark Times, Will There Also Be Singing?, Rail Park, Philadelphia

In dark times, will there also be singing? participatory sound installation for voices


​​​​9 September, Fluchtwege, Klangspuren Festival, Innsbruck, Austria

Traum im Traum for meantone tuned zither and sine tones performed by Martin Mallaun


​​29 July, Columbia Composers Presents Digital Premiers: Distractfold, International Anthony Burgess Foundation, Manchester, U.K. - Streamed on YouTube

old red barn for violin, viola, Bb clarinet (bass clarinet), electric guitar, and fixed media, premiered by Distractfold


​​9 July, Space is the Place / The Place is Space - In qualche luogo lontano: Roma, Real Academia de España, Rome, Italy

Relistening Revolution: Musica Elettronica Viva, Sun Ra Arkestra, and Experimental Improvisation in 1970s Rome in conversation with Alvin Curran


​​3 June, Columbia Composers Presents Digital Premiers: Sun Ra Arkestra, Rittenhouse Soundworks, Philadelphia - Streamed on YouTube

When Sound Becomes Like a Spaceship for large ensemble, co-created with Vincent Chancey, Marshall Allen, and the Sun Ra Arkestra


​​20 May, Aluminum Forest: Sonic Installations and Improvisations at the American Academy, Villa Aurelia, Rome, Italy

In dark times, will there also be singing? for string quartet and recorded voices, premiered by Quartetto Sincronie


​​11 April, Guard House of Villa Sciarra Park, Rome, Italy

In dark times, will there also be singing? participatory sound installation for voices


​​31 March, Museum Tinguely Basel, Switzerland

around the glogge for 11 service bells, 8 transducers, and fixed media performed by Ensemble Proton Bern


​​30 March, Walcheturm Zürich, Switzerland - POSTPONED

around the glogge for 11 service bells, 8 transducers, and fixed media performed by Ensemble Proton Bern


​26 March, Brückenpfeiler, Junge Bühne Bern, Switzerland - POSTPONED

around the glogge for 11 service bells, 8 transducers, and fixed media performed by Ensemble Proton Bern

______________________

​​​​19 December (2020), Tempus Fugit 2020, Centro Cultural Cuerda Mecánica, Buenos Aires, Argentina

Hyper Electric for two electric guitars and two doubles basses livestreamed by Nuntempe Ensamble with visuals by Leah Beo


​​​​5 November (2020), Stiegenhausmusik, Innsbruck, Austria

Traum im Traum for meantone tuned zither and sine tones performed by Martin Mallaun


​​​​15 October (2020), Ateliers im alten Schlachthof, Sigmaringen, Germany

Traum im Traum for meantone tuned zither and sine tones performed by Martin Mallaun


​​​​11 October (2020), NKM Neues Kollektiv: Klima in Variationen – II: Droben, schwere reiter, Munich, Germany

Traum im Traum for meantone tuned zither and sine tones performed by Martin Mallaun


​​​​25 September (2020), Baldauf Villa, Marienberg im Erzgebirge, Germany

Traum im Traum for meantone tuned zither and sine tones performed by Martin Mallaun


​​​18 April (2020), Columbia Composers, DiMenna Center, New York - POSTPONED

old red barn for violin, viola, Bb clarinet (bass clarinet), electric guitar, and fixed media performed by Distractfold Ensemble


______________________

​​​25 August (2019), Creative Dialogue XI – Closing Concert, Camerata, Musiikkitalo Helsinki

Warming Up for soprano, baritone, violin, and cello performed by Erin Hodgson, Eric Viñas, Karolina Walarowksa, Adele Xiang


​​18 June (2019), Concert du Cursus, Manifeste 2019, Le Centquatre, Paris

smoke-blackened paper for double bass and electronics, performed by Sulivan Loiseau


​​18 May (2019), OENM ZYKLUS 4, Solitär, Universität Mozarteum, Salzburg

Hungarian Dance for large ensemble and fixed media premiered by österreichisches ensemble für neue musik; Johannes Kalitzke, conductor


​4 May (2019), Columbia Composers, DiMenna Center, New York

Soft Brown Wax for brass ensemble, feedback piano, and fixed media performed by TILT Brass


15 April (2019), Dialogues Sonores, Reid Hall, Paris

Intimate Sounds for soprano, bass clarinet, violin, and cello performed by Herkkola Helianna, Léo Marillier, Stéphanie Huang, and Rina Maezawa


6 April (2019), This is What Happens When You Play With Electricity, HaTeiva, Jaffa, Tel-Aviv

Hyper Electric for two double basses and two electric guitars, performed by Elad Meiri, Yoav Barak, Maya Brenner, and Orr Sinay


13 March (2019), Cicio Conciertos Internacionales del INBA, Palacio de Bellas Artes, Mexico City

Mort de Judas for tenor and tenor recorder, performed by UMS 'N JIP


______________________


17 December (2018), Distat Terra Festival, Choele Choel, Provincia de Río Negro, Argentina

a stillness of zero sensation for flute, bass clarinet, violin, cello, piano, percussion, performed by Quasars Ensemble


6 October (2018), musikprotokoll im steirischen herbst, Helmut Liste Halle, Graz, Austria

spreading, like something spilled, like a stain for mixed ensemble, world premiere by Talea Ensemble


7 September (2018), Rattling Rhythms #2 - Gaudeamus Muziekweek, Het Huis, Utrecht, The Netherlands

as we come marching, marching for percussion quartet, sound exciters, and air raid siren, world premiere by Slagwerk den Haag


6 September (2018), Spatial Music - Gaudeamus Muziekweek, Geertekerk, Utrecht, The Netherlands

Three Formants for five trombones, performed by Trombonequintet


5 September (2018), The Garden - Gaudeamus Muziekweek, Grote Zaal, Tivoli Vredenburg, Utrecht, The Netherlands

the new normal for fixed media and mixed ensemble, performed by Asko|Schönberg, Bas Wiegers, conductor


25 April (2018), 1er Festival Internacional de Opera de Camara, Cordoba, Argentina

Mort de Judas for tenor and tenor recorder, performed by UMS 'N JIP


21 April (2018), Spectrum, Brooklyn, New York

hyper electric for two electric guitars and two double basses, performed by (h)artDrive electric guitar duo, Evan Runyon and Tristan Kasten-Krause


15 April (2018), A4M Performing Arts Center, Thessaloniki, Greece

Mort de Judas for tenor and tenor recorder, performed by UMS 'N JIP


14 April (2018), MATA Festival, The Kitchen, New York City

a stillness of zero sensation for flute, bass clarinet, violin, cello, piano, percussion, performed by Contemporaneous under the direction of David Bloom


12 April (2018), Rock Hall, Philadelphia

the sinking cathedral for large ensemble and fixed media performed by Temple University Composer's Orchestra


3 April (2018), Symphony Space, New York City

there was never ground under your feet for JACK Quartet


29 March (2018), Deutsches Haus, Columbia, New York City

performance of 'fields have ears' by Michael Pisaro


23 March (2018), Maison Francaise, Columbia, New York City

"Giacinto Sclesi's Anahit: A Cognitive Approach to Analysis" at Music Theory and Cognition Conference


18 February (2018), An Die Musik, Baltimore; 21 February, Berklee, Boston; 22 February, Arts@28, Harvard; 23 February, Spectrum, Brooklyn, New York; 25 February, Temple University, Philadelphia

New Work for sopranino saxophone, soprano saxophone, and sine tones, performed by Geoff Landman and Patrick Stadler


30 January (2018), Unerhörte Musik, BKA-Theater, Berlin

Traum im Traum for meantone tuned zither and sine tones, performed by Martin Mallaun


______________________


19-22 December (2017), Zeughaus Kulture Brig-Glis; ONO Bern; Kunstraum Walcheturm Zürich; Ackermannshof Basel, Switzerland

Mort de Judas for tenor and tenor recorder, performed by UMS 'N JIP


2 December (2017), Columbia Composers and MFA Sound Arts, Issue Project Room, Brooklyn, New York

that feeling in the pit of your stomach is real for two trombones, air raid siren, and sine tones performed by RAGE Thrombones


​21 October (2017), Sound Plasma: Festival for Microtonal Music, Acker Stadt Palast, Berlin

air and wood for glissando flute and ensemble, performed by Erik Drescher and Ensemble for New Music Tallinn


​20 October (2017), Donaueschingen Musiktage 2017, Erich-Kästner-Halle, Donaueschingen, Germany

Intersections for chamber ensemble and sine tones, performed by members of Ensembles Hochschule Lucerne, der Staatlichen Hochschule für Musik und Darstellende Kunst Stuttgart and the Hochschule für Musik Trossingen


7 May (2017), National Sawdust, Brooklyn, New York

hyper electric for (h)artDrive electric guitar duo + Evan Runyon and Tristan Kasten-Krause (double basses)


4 May (2017), Festival 4020 Linz, Austria

​Traum im Traum for meantone tuned zither and sine tones, performed by Martin Mallaun


1 May (2017), DiMenna Center, New York City

the new normal ​for chamber ensemble and tape, performed by the Talea Ensemble


20 April (2017), SEAMUS 2017 Conference, Gant Recital Hall, St. Cloud State University, Minnesota

Bending Metals for four vibraphones and sine tones, performed by the percussion studio of St. Cloud State University


20 April (2017), Baritone Institute, Centre de Congressos d'Andorra la Vella, Andorra

Megadont for three baritone saxophones performed by Joan Martí-Frasquier


30 March (2017), New Music Miami, CARTA Miami Beach Urban Studios, Florida International University, Miami

Aphakia for cello and piano, performed by Chen-Hui Jen and Jason Calloway


29 March (2017), John Donald Robb Composer's Symposium, University of New Mexico, Albuquerque

Aphakia for cello and piano, performed by David Schepps and José-Luis Hurtado


24 February (2017), First Universalist Unitarian Church, San Francisco

the new normal for chamber ensemble and fixed media, performed by Wild Rumpus Ensemble


5 February (2017), Spectrum, New York City

Three Formants for five trombones performed by Jen Baker and TILT Brass to celebrate the launch of Baker's book, Hooked on Multiphonics an extended technique playing guide for trombonists and composers that features an excerpt of Three Formants


______________________


9 December (2016), Strenge Kammer at Porgy and Bess, Vienna

K.P.A. for trombone, percussion, and electronics, performed by Juna Winston and João Pacheco


17 September (2016), Holy Trinity Anglican Church, Edmonton, Canada

megadont for three baritone saxophones, performed by Gavin Goodwin, Smily Schultz, and Laura Kerslake


21 July (2016), Firehouse Space, New York City

a stillness of zero sensation for flute, bass clarinet, violin, cello, piano, and percussion, performed by Leia Slosberg, flute; Eric Umble, bass clarinet; Molly Germer, violin; Thea Mesirow, cello; Adrian Blanco, piano; Tamika Gorski, percussion


1 June (2016), Jazzcampus Club, Basel

K.P.A. for trombone, percussion, and electronics, performed by Kevin Austin, trombone and Carlota Cacera, percussion


10 April (2016), Ars Musica Aub, Aub (DE)

Zwischen for baritone saxophone, accordion, and cello, performed by Trio SÆITENWIND


2 April (2016), Symphony Space, New York City

Aureole Effect for string quartet, performed by the Mivos Quartet


11 March (2016), DiMenna Center, New York City

Eidos for vocal ensemble, two pianos, two percussionists, and feedback, performed by Yarn/Wire and Ekmeles Vocal Ensemble


13 February (2016), Muchmore's, Brooklyn, New York

Three Formants II for pre-recorded tape and solo trombone, performed by Kevin Austin


12 February (2016), Georgia Southern University, Statesboro

Intersections for chamber ensemble and sine tones (recording) as part of 2016 National SEAMUS Conference


27-30 January (2016), Théâtre de l’Oriental, Vevey (CH)

(good) vibrations for accordion and percussion, performed by Sofia Ahjoniemi and Julien Mégroz


______________________

8 November (2015), Northwestern University, Chicago

Megadont for three baritone saxophone, performed by Taimur Sullivan and students of Northwestern

25 October (2015), Les Concerts de Musique Contemporaine (CMC), Musée International de l’Horlogerie, La Chaux-de-Fonds (CH)

(good) vibrations for accordion and percussion, performed by Sofia Ahjoniemi and Julien Mégroz

12 October (2015), Rock Hall, Temple University, Philadelphia

a stillness of zero sensation for flute, bass clarinet, violin, cello, piano, and percussion, performed by the Temple University New Music Ensemble

13 June (2015), Grosser Saal, Hochschule für Musik, Basel

Intersections for mixed chamber ensemble and sine tones, performed by Zone Experimental


23 June (2015), New York Electroacoustic Music Festival, Abrons Arts Center, New York City

Nyuidj for bass clarinet and fixed media, performed by Liam Kinson


4 July (2015), 'Microtones: Small is Beautiful' Conference, Mozarteum University, Salzburg

Paper Presentation: On Horatiu Radulescu's 5th String Quartet 'before the universe was born'


9 May (2015), Tectonics Festival, Abrons Arts Center, New York City

Three Formants for five trombones, performed by TILT Brass


31 May (2015), New:Dots, Hoxton Basement, London

Aureole Effect for string quartet, performed by the Ligeti String Quartet


______________________

7 December (2014), Issue Project Room, Brooklyn

Intimate Sounds for soprano, clarinet, violin, and cello performed by TAK


6 November (2014), XXXV Encontre Internacional de Compositors, Conservatori Superior de les Illes Balears, Mallorca

el silbo for saxophone, percussion, and piano, performed by Tamgram Project


31 October (2014), Klaus Linder Saal, Hochschule für Musik, Basel

el silbo for saxophone, percussion, and piano, performed by Tamgram Project


16 October (2014), Bryan Hall, Bowling Green State University, Ohio

Megadont for three baritone saxophones, performed by Gavin Goodwin, Chris Murphy, and Nick Zoulek


28 June (2014), Grosser Saal, Musik Akademie Basel

...what goes up... for mixed chamber ensemble, performed by Ensemble Phoenix, conducted by Jürg Henneberger


19 June (2014), Musikerwohnhaus, Basel

New Work for Trombone Quintet, performed by Les Trombones de Bâle


10 June (2014), Grosser Saal, Musik Akademie Basel

Blech for brass quintet, performed by Ensemble Schwerpunkt


3 June (2014), Avery Fisher Hall, New York City

Into Focus for orchestra, read by the New York Philharmonic, conducted by Matthias Pintscher