UPCOMING EVENTS
16 & 17 March, Ensamble Arthaus, Arthaus Central, Buenos Aires, Argentina
old red barn for violin, viola, Bb clarinet (bass clarinet), electric guitar, and fixed media
21 April, Konus Quartett, Grande Salle, Reid Hall, Paris, France
into the blessed darkness for saxophone quartet and live electronics
RECENT EVENTS
7 October, Roseti, Gallo 760, Buenos Aires, Argentina
Metalloid for electric guitar quartet, performed by Nuntempe Ensemble
2 September, Collegium Novum Zürich, Zeughaushof and art space Walcheturm, Zürich, Switzerland
that feeling in the pit of your stomach is real for air raid siren, trombone, and sine tones
18 August, students from the Yaron Deutsch Electric Guitar Workshop at the Darmstadt Summer Course, Darmstadt, Germany
Metalloid for electric guitar quartet
6 May, Konus Quartett Festival for New Music, Voltage Cracklings, Auditorium PROGR, Bern, Switzerland
into the blessed darkness for saxophone quartet and live electronics
30 April, Tectonics Festival Glasgow, BBC Scottish Symphony Orchestra, Grand Hall, Glasgow, Scotland
dreams of imagined homelands for large orchestra, amplified Edison wax cylinder phonograph, and electronics
4 March, Festival Dag in de Branding, Korzo Theater, The Hague, Netherlands
Dialogues à Distance for violin, bass clarinet, piano (seaboard), mater, and fixed media, performed by Ensemble Resilience
24 February, Temple University New Music Ensemble, Temple University, Rock Hall, Philadelphia
a stillness of zero sensation for flute, bass clarinet, percussion, piano, violin, and cello, performed by the Temple New Music Ensemble; Jan Krzywicki, conductor
14 December, Distat Terra Festival 2022, Choele Choel, Argentina
Metalloid for four electric guitars, premiered by Nuntempe Ensemble
10 December, Discoveries 2, Israeli Contemporary Players, Zucker Hall, Tel Aviv Culture Centre, Israel
the new normal for fixed media and mixed ensemble, performed by Israeli Contemporary Players, Christian Karlsen, conductor
9 November, The New Normal, Next Liberty, Kaiser-Josef-Platz 10, Graz, Austria
the new normal for fixed media and mixed ensemble, performed by Schallfeld Ensemble
5 November, Sonict Ensemble, University of Wisconsin-Whitewater, Light Recital Hall, Whitewater
Megadont for three baritone saxophones, performed by the Sonict Ensemble
29 October, 'Sour, weird, and juicy,' Dokkhuset Scene, Trondheim, Norway
the new normal for fixed media and mixed ensemble, performed by the Trondheim Sinfonietta
14 October, Mario Merz Prize Finalists Concert, Palermo, Italy
Beat(ing) for mixed chamber ensemble, premiered by WADI Ensemble, Salvatore Barberi, conductor
30 September, Hanyang New Music Festival, Hanyang University, Paiknam Hall, Seoul, South Korea
(re)sounding alessandro for feedback piano, premiered by Jared Redmond
14 June, Schlusskonzert sonic space basel, Musik- und Kulturzentrum Don Bosco, Basel, Switzerland
That's the loop. for soprano, large ensemble, and tape cassette recorders, performed by Zone Expérimentale, conducted by Mike Svoboda
12 June, Mario Merz Prize 4th Edition, Finalists' Concert, Teatro Massimo, Palermo, Italy
Beat(ing) for flute, clarinet, saxophone, accordion, violin, viola, cello, bass, performed by WADI Ensemble, conducted by Salvatore Barbieri
5 June, ATTACCA Festival für aktuelle Musik, Druckereihalle Im Ackermannshof, Basel, Switzerland
That's the loop. for soprano, large ensemble, and tape cassette recorders, premiered by Zone Expérimentale, conducted by Mike Svoboda
13 April - 12 June, Exhibition: Regeneration, American Academy in Rome Gallery, Rome, Italy
soft brown wax installation for fixed media and wax cylinders
20 January, Stanford Center for Computer Research in Music and Acoustics (CCRMA), Stanford - POSTPONED
re:sounding alessandro for feedback piano, premiered by Jared Redmond
22 January, Center for New Music and Audio Technologies (CNMAT), Berkeley - POSTPONED
re:sounding alessandro for feedback piano, performed by Jared Redmond
______________________
11 October, Festival El Contempoáneo, Teatro Guiniguada, Las Palmas de Gran Canaria, Spain
Dialogues à Distance for violin, bass clarinet, mater, piano, and fixed media
10 October, Festival El Contempoáneo, Teatro Guiniguada, Las Palmas de Gran Canaria, Spain
Dialogues à Distance for violin, bass clarinet, mater, piano, and fixed media
6 October, Club Fluxus: Ensemble Resilience, TivoliVredenburg - Club 9, Utrecht, The Netherlands
Dialogues à Distance for violin, bass clarinet, mater, piano, and fixed media
21 September, Dampfzentrale, Bern, Switzerland
around the glogge for 11 service bells, 8 transducers, and fixed media performed by Ensemble Proton Bern
10 September, Summer Sunset Series: In Dark Times, Will There Also Be Singing?, Rail Park, Philadelphia
In dark times, will there also be singing? participatory sound installation for voices
9 September, Fluchtwege, Klangspuren Festival, Innsbruck, Austria
Traum im Traum for meantone tuned zither and sine tones performed by Martin Mallaun
29 July, Columbia Composers Presents Digital Premiers: Distractfold, International Anthony Burgess Foundation, Manchester, U.K. - Streamed on YouTube
old red barn for violin, viola, Bb clarinet (bass clarinet), electric guitar, and fixed media, premiered by Distractfold
9 July, Space is the Place / The Place is Space - In qualche luogo lontano: Roma, Real Academia de España, Rome, Italy
Relistening Revolution: Musica Elettronica Viva, Sun Ra Arkestra, and Experimental Improvisation in 1970s Rome in conversation with Alvin Curran
3 June, Columbia Composers Presents Digital Premiers: Sun Ra Arkestra, Rittenhouse Soundworks, Philadelphia - Streamed on YouTube
When Sound Becomes Like a Spaceship for large ensemble, co-created with Vincent Chancey, Marshall Allen, and the Sun Ra Arkestra
20 May, Aluminum Forest: Sonic Installations and Improvisations at the American Academy, Villa Aurelia, Rome, Italy
In dark times, will there also be singing? for string quartet and recorded voices, premiered by Quartetto Sincronie
11 April, Guard House of Villa Sciarra Park, Rome, Italy
In dark times, will there also be singing? participatory sound installation for voices
31 March, Museum Tinguely Basel, Switzerland
around the glogge for 11 service bells, 8 transducers, and fixed media performed by Ensemble Proton Bern
30 March, Walcheturm Zürich, Switzerland - POSTPONED
around the glogge for 11 service bells, 8 transducers, and fixed media performed by Ensemble Proton Bern
26 March, Brückenpfeiler, Junge Bühne Bern, Switzerland - POSTPONED
around the glogge for 11 service bells, 8 transducers, and fixed media performed by Ensemble Proton Bern
______________________
19 December (2020), Tempus Fugit 2020, Centro Cultural Cuerda Mecánica, Buenos Aires, Argentina
Hyper Electric for two electric guitars and two doubles basses livestreamed by Nuntempe Ensamble with visuals by Leah Beo
5 November (2020), Stiegenhausmusik, Innsbruck, Austria
Traum im Traum for meantone tuned zither and sine tones performed by Martin Mallaun
15 October (2020), Ateliers im alten Schlachthof, Sigmaringen, Germany
Traum im Traum for meantone tuned zither and sine tones performed by Martin Mallaun
11 October (2020), NKM Neues Kollektiv: Klima in Variationen – II: Droben, schwere reiter, Munich, Germany
Traum im Traum for meantone tuned zither and sine tones performed by Martin Mallaun
25 September (2020), Baldauf Villa, Marienberg im Erzgebirge, Germany
Traum im Traum for meantone tuned zither and sine tones performed by Martin Mallaun
18 April (2020), Columbia Composers, DiMenna Center, New York - POSTPONED
old red barn for violin, viola, Bb clarinet (bass clarinet), electric guitar, and fixed media performed by Distractfold Ensemble
______________________
25 August (2019), Creative Dialogue XI – Closing Concert, Camerata, Musiikkitalo Helsinki
Warming Up for soprano, baritone, violin, and cello performed by Erin Hodgson, Eric Viñas, Karolina Walarowksa, Adele Xiang
18 June (2019), Concert du Cursus, Manifeste 2019, Le Centquatre, Paris
smoke-blackened paper for double bass and electronics, performed by Sulivan Loiseau
18 May (2019), OENM ZYKLUS 4, Solitär, Universität Mozarteum, Salzburg
Hungarian Dance for large ensemble and fixed media premiered by österreichisches ensemble für neue musik; Johannes Kalitzke, conductor
4 May (2019), Columbia Composers, DiMenna Center, New York
Soft Brown Wax for brass ensemble, feedback piano, and fixed media performed by TILT Brass
15 April (2019), Dialogues Sonores, Reid Hall, Paris
Intimate Sounds for soprano, bass clarinet, violin, and cello performed by Herkkola Helianna, Léo Marillier, Stéphanie Huang, and Rina Maezawa
6 April (2019), This is What Happens When You Play With Electricity, HaTeiva, Jaffa, Tel-Aviv
Hyper Electric for two double basses and two electric guitars, performed by Elad Meiri, Yoav Barak, Maya Brenner, and Orr Sinay
13 March (2019), Cicio Conciertos Internacionales del INBA, Palacio de Bellas Artes, Mexico City
Mort de Judas for tenor and tenor recorder, performed by UMS 'N JIP
______________________
17 December (2018), Distat Terra Festival, Choele Choel, Provincia de Río Negro, Argentina
a stillness of zero sensation for flute, bass clarinet, violin, cello, piano, percussion, performed by Quasars Ensemble
6 October (2018), musikprotokoll im steirischen herbst, Helmut Liste Halle, Graz, Austria
spreading, like something spilled, like a stain for mixed ensemble, world premiere by Talea Ensemble
7 September (2018), Rattling Rhythms #2 - Gaudeamus Muziekweek, Het Huis, Utrecht, The Netherlands
as we come marching, marching for percussion quartet, sound exciters, and air raid siren, world premiere by Slagwerk den Haag
6 September (2018), Spatial Music - Gaudeamus Muziekweek, Geertekerk, Utrecht, The Netherlands
Three Formants for five trombones, performed by Trombonequintet
5 September (2018), The Garden - Gaudeamus Muziekweek, Grote Zaal, Tivoli Vredenburg, Utrecht, The Netherlands
the new normal for fixed media and mixed ensemble, performed by Asko|Schönberg, Bas Wiegers, conductor
25 April (2018), 1er Festival Internacional de Opera de Camara, Cordoba, Argentina
Mort de Judas for tenor and tenor recorder, performed by UMS 'N JIP
21 April (2018), Spectrum, Brooklyn, New York
hyper electric for two electric guitars and two double basses, performed by (h)artDrive electric guitar duo, Evan Runyon and Tristan Kasten-Krause
15 April (2018), A4M Performing Arts Center, Thessaloniki, Greece
Mort de Judas for tenor and tenor recorder, performed by UMS 'N JIP
14 April (2018), MATA Festival, The Kitchen, New York City
a stillness of zero sensation for flute, bass clarinet, violin, cello, piano, percussion, performed by Contemporaneous under the direction of David Bloom
12 April (2018), Rock Hall, Philadelphia
the sinking cathedral for large ensemble and fixed media performed by Temple University Composer's Orchestra
3 April (2018), Symphony Space, New York City
there was never ground under your feet for JACK Quartet
29 March (2018), Deutsches Haus, Columbia, New York City
performance of 'fields have ears' by Michael Pisaro
23 March (2018), Maison Francaise, Columbia, New York City
"Giacinto Sclesi's Anahit: A Cognitive Approach to Analysis" at Music Theory and Cognition Conference
18 February (2018), An Die Musik, Baltimore; 21 February, Berklee, Boston; 22 February, Arts@28, Harvard; 23 February, Spectrum, Brooklyn, New York; 25 February, Temple University, Philadelphia
New Work for sopranino saxophone, soprano saxophone, and sine tones, performed by Geoff Landman and Patrick Stadler
30 January (2018), Unerhörte Musik, BKA-Theater, Berlin
Traum im Traum for meantone tuned zither and sine tones, performed by Martin Mallaun
______________________
19-22 December (2017), Zeughaus Kulture Brig-Glis; ONO Bern; Kunstraum Walcheturm Zürich; Ackermannshof Basel, Switzerland
Mort de Judas for tenor and tenor recorder, performed by UMS 'N JIP
2 December (2017), Columbia Composers and MFA Sound Arts, Issue Project Room, Brooklyn, New York
that feeling in the pit of your stomach is real for two trombones, air raid siren, and sine tones performed by RAGE Thrombones
21 October (2017), Sound Plasma: Festival for Microtonal Music, Acker Stadt Palast, Berlin
air and wood for glissando flute and ensemble, performed by Erik Drescher and Ensemble for New Music Tallinn
20 October (2017), Donaueschingen Musiktage 2017, Erich-Kästner-Halle, Donaueschingen, Germany
Intersections for chamber ensemble and sine tones, performed by members of Ensembles Hochschule Lucerne, der Staatlichen Hochschule für Musik und Darstellende Kunst Stuttgart and the Hochschule für Musik Trossingen
7 May (2017), National Sawdust, Brooklyn, New York
hyper electric for (h)artDrive electric guitar duo + Evan Runyon and Tristan Kasten-Krause (double basses)
4 May (2017), Festival 4020 Linz, Austria
Traum im Traum for meantone tuned zither and sine tones, performed by Martin Mallaun
1 May (2017), DiMenna Center, New York City
the new normal for chamber ensemble and tape, performed by the Talea Ensemble
20 April (2017), SEAMUS 2017 Conference, Gant Recital Hall, St. Cloud State University, Minnesota
Bending Metals for four vibraphones and sine tones, performed by the percussion studio of St. Cloud State University
20 April (2017), Baritone Institute, Centre de Congressos d'Andorra la Vella, Andorra
Megadont for three baritone saxophones performed by Joan Martí-Frasquier
30 March (2017), New Music Miami, CARTA Miami Beach Urban Studios, Florida International University, Miami
Aphakia for cello and piano, performed by Chen-Hui Jen and Jason Calloway
29 March (2017), John Donald Robb Composer's Symposium, University of New Mexico, Albuquerque
Aphakia for cello and piano, performed by David Schepps and José-Luis Hurtado
24 February (2017), First Universalist Unitarian Church, San Francisco
the new normal for chamber ensemble and fixed media, performed by Wild Rumpus Ensemble
5 February (2017), Spectrum, New York City
Three Formants for five trombones performed by Jen Baker and TILT Brass to celebrate the launch of Baker's book, Hooked on Multiphonics an extended technique playing guide for trombonists and composers that features an excerpt of Three Formants
______________________
9 December (2016), Strenge Kammer at Porgy and Bess, Vienna
K.P.A. for trombone, percussion, and electronics, performed by Juna Winston and João Pacheco
17 September (2016), Holy Trinity Anglican Church, Edmonton, Canada
megadont for three baritone saxophones, performed by Gavin Goodwin, Smily Schultz, and Laura Kerslake
21 July (2016), Firehouse Space, New York City
a stillness of zero sensation for flute, bass clarinet, violin, cello, piano, and percussion, performed by Leia Slosberg, flute; Eric Umble, bass clarinet; Molly Germer, violin; Thea Mesirow, cello; Adrian Blanco, piano; Tamika Gorski, percussion
1 June (2016), Jazzcampus Club, Basel
K.P.A. for trombone, percussion, and electronics, performed by Kevin Austin, trombone and Carlota Cacera, percussion
10 April (2016), Ars Musica Aub, Aub (DE)
Zwischen for baritone saxophone, accordion, and cello, performed by Trio SÆITENWIND
2 April (2016), Symphony Space, New York City
Aureole Effect for string quartet, performed by the Mivos Quartet
11 March (2016), DiMenna Center, New York City
Eidos for vocal ensemble, two pianos, two percussionists, and feedback, performed by Yarn/Wire and Ekmeles Vocal Ensemble
13 February (2016), Muchmore's, Brooklyn, New York
Three Formants II for pre-recorded tape and solo trombone, performed by Kevin Austin
12 February (2016), Georgia Southern University, Statesboro
Intersections for chamber ensemble and sine tones (recording) as part of 2016 National SEAMUS Conference
27-30 January (2016), Théâtre de l’Oriental, Vevey (CH)
(good) vibrations for accordion and percussion, performed by Sofia Ahjoniemi and Julien Mégroz
______________________
8 November (2015), Northwestern University, Chicago
Megadont for three baritone saxophone, performed by Taimur Sullivan and students of Northwestern
25 October (2015), Les Concerts de Musique Contemporaine (CMC), Musée International de l’Horlogerie, La Chaux-de-Fonds (CH)
(good) vibrations for accordion and percussion, performed by Sofia Ahjoniemi and Julien Mégroz
12 October (2015), Rock Hall, Temple University, Philadelphia
a stillness of zero sensation for flute, bass clarinet, violin, cello, piano, and percussion, performed by the Temple University New Music Ensemble
13 June (2015), Grosser Saal, Hochschule für Musik, Basel
Intersections for mixed chamber ensemble and sine tones, performed by Zone Experimental
23 June (2015), New York Electroacoustic Music Festival, Abrons Arts Center, New York City
Nyuidj for bass clarinet and fixed media, performed by Liam Kinson
4 July (2015), 'Microtones: Small is Beautiful' Conference, Mozarteum University, Salzburg
Paper Presentation: On Horatiu Radulescu's 5th String Quartet 'before the universe was born'
9 May (2015), Tectonics Festival, Abrons Arts Center, New York City
Three Formants for five trombones, performed by TILT Brass
31 May (2015), New:Dots, Hoxton Basement, London
Aureole Effect for string quartet, performed by the Ligeti String Quartet
______________________
7 December (2014), Issue Project Room, Brooklyn
Intimate Sounds for soprano, clarinet, violin, and cello performed by TAK
6 November (2014), XXXV Encontre Internacional de Compositors, Conservatori Superior de les Illes Balears, Mallorca
el silbo for saxophone, percussion, and piano, performed by Tamgram Project
31 October (2014), Klaus Linder Saal, Hochschule für Musik, Basel
el silbo for saxophone, percussion, and piano, performed by Tamgram Project
16 October (2014), Bryan Hall, Bowling Green State University, Ohio
Megadont for three baritone saxophones, performed by Gavin Goodwin, Chris Murphy, and Nick Zoulek
28 June (2014), Grosser Saal, Musik Akademie Basel
...what goes up... for mixed chamber ensemble, performed by Ensemble Phoenix, conducted by Jürg Henneberger
19 June (2014), Musikerwohnhaus, Basel
New Work for Trombone Quintet, performed by Les Trombones de Bâle
10 June (2014), Grosser Saal, Musik Akademie Basel
Blech for brass quintet, performed by Ensemble Schwerpunkt
3 June (2014), Avery Fisher Hall, New York City
Into Focus for orchestra, read by the New York Philharmonic, conducted by Matthias Pintscher